Johannes Brahms. Zigeunerlieder (11) for vocal quartet & piano, Op. Composition Information ↓; Description ↓; Parts/Movements ↓; Appears On ↓. Johannes Brahms. Zigeunerlieder (8), for voice & piano (arranged from Op. ). Composition Information ↓; Description ↓; Parts/Movements ↓; Appears On. This charming disc presents a comprehensive selection of Brahms’s secular choral music. Through his professional activities, Brahms had a continuous interest.

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Und jetzt zu den a-cappella-Werken in diesem Recital: The texts are from Hungarian Gypsy songs in translations by Hugo Conrat. Steh still, steh still. January Learn how and when to remove this template message. In this notable opus Brahms shows himself eloquently unreconciled to the fact of growing old. Lieder von Schumann und Brahms.

Brahms knew the original tune well: Voice with Keyboard 6 Songs, Op. Zigeunerlieder, Op composer.

Johannes Brahms, Robert Schumann: The Zigeunerlieder Gypsy songsOp. Gramophone’s expert reviews easier than ever before. Strike resoundingly each string!

Zigeunerlieder (11) for vocal… | Details | AllMusic

Andantino grazioso E-flat major Horch, der Wind klagt in den Zweigen traurig sacht. Susan Graham at Carnegie Hall.

Op 64 concludes with a translation of a Turkish folk-poem made by G F Daumer, the poet of the Liebeslieder-Walzerwhose copious output of both original verse and translations from many languages Brahms often recurred to when choosing texts for setting. I provide the original scanned version and the filtered, because the filter does some changes smoothening, sharpening borders and some portions of the scan get lost sometimes when they are too small e.


The all-time greats Read about the artists who changed the world of classical music. Texts and translations at the LiederNet Archive. Ich will – allzeit – umsonst.

Retrieved zigehnerlieder ” https: Vivace giocoso G major Kommt dir manchmal in den Sinn. It seems Brahms wanted to maintain only the spirit of the original melodies as opposed to creating music in an authentic Hungarian style. The ensuing song, also about courtship, is delicate at the outset and effervescent in its rapid tempo, but turns muscular later on and thereafter deftly juxtaposes the two expressive manners.

Brahms Zigeunerlieder

Naxos Javascript not enabled. Like the latter, though on a slightly more elaborate scale, they form a sequence of dance-songs for vocal quartet; but now in the rhythms and exotic harmonic shading of the former.

When Schumann died, many might have expected a new marriage. Folksongs ; Songs ; For 4 voices, piano ; For voices with keyboard ; Scores featuring the voice ; Scores featuring the soprano voice ; Scores featuring the alto voice ; Scores featuring the tenor voice ; Scores featuring the bass voice ; Scores featuring the piano ; German language ; For mixed chorus, piano arr ; For chorus with keyboard ; Scores featuring mixed chorus ; For male chorus, piano arr ; Scores featuring male chorus ; For female chorus, piano arr ; Scores featuring female chorus ; For piano 4 hands arr ; Scores featuring the piano 4 hands ; For 2 players ; For voice, piano arr ; For piano arr ; For 1 player.


Zigeunerlieder (Brahms)

At once resigned and ravishing, this set of Brahms partsongs raises these regrets to the status of high art. Zigeunerloeder the first two syllables are set to a dotted rhythm in most of the Zigeunerlieder, dotted rhythms are most intense and all pervasive in No. Three such make up the set of Drei Quartette Op 64, which Brahms published inthough the zigeuneroieder of them, An die Heimatprobably dates from about This page was last edited on 1 Octoberat Its chorale-like main tune and smooth, imitative polyphony lend it the character of a brief motet, rather than a Chorlied.

Its single verse of zigehnerlieder tells of an unfaithful maiden and her Gypsy ex-lover singing of his sorrows.

Zigeunerlieder (Brahms) – Wikipedia

For more information, contact us at the zigwunerlieder address: It is illegal to copy and distribute our copyright-protected material without permission. Views Read Edit View history. Because all Hungarian words are accented on the first syllable, upbeats do not exist in Hungarian music; therefore, every one of the Zigeunerlieder begins on a downbeat, whether or not there is a piano introduction.

The performances are of a high standard and the recording of demonstration quality.