Flory, Pamela Jean, “Six chansons of Paul Hindemith: An Analysis in Relation to Performance” (). Un cygne.?vance sur l’ enu. Un cygne – Hindemith, Paul (Musica Database) (A swan is breasting the flow ; Un cygne avance sur l’eau). Hindemith, Paul ( – ) [Germany]. Choir Midi Learning Files for works by Paul Hindemith. Paul Hindemith. ( biography). Google Enter your search terms Un Cygne – The Swan. Tutti. Soprano.

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How are they like, and how are they unlike, tertiary chords?

6 Chansons (Hindemith, Paul)

Birth and death dates are unknown for her as of writing this. Un Cygne A Swan: Bring your analysis to class to hand it in, or submit it in the Canvas dropbox associated with this class.

Associated Music Publishers, Page size is I’ll write free-form comments when assessing students Remove points from rubric Don’t post Outcomes results to Hindemjth Mastery Gradebook Use this rubric for assignment grading Hide score total for assessment results Cancel Create Rubric.

Consider the C-naturals in the soprano to be ornamental non-chord neighbor tones hindemirh a very significant part of your harmonic analysis. How do you justify that interpretation?

Choir Midi Learning Files – Hindemith Six Chansons

In your comments and for the class discussion you may want to consider the following questions. Puisque tout passe Since all is passing: Remove points from rubric.

Retrieved from ” http: A few chords, especially at cadences, are tertiary triads, but most are not. Analyze the opening phrase from the beginning till the downbeat of measure 5 and the closing phrase from the pickup of measure 18 till the endfocusing on the chord structures. Work Title Six Chansons Alt ernative. Contents 1 Performances 1.

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Continue analyzing the chords in this way for the opening phrase and the ending phrase, writing each chord out as a stack of fourths or fifths on a separate piece of staff paper except when you think a tertiary interpretation is more reasonable.

Hide score total for assessment results. Practice singing the part that’s in your own vocal range.

IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. What, if anything, are the traditional scale-based, classical harmonic implications of these chord progressions?

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Use this rubric for assignment grading. Write out your analysis on staff paper or computer-printedreordering the chord voicings as a stack of fourths or fifths or, rarely, as a tertiary chord to show the underlying quartal harmonic structure. It appears that in this piece Hindemith was focusing on chords built in fourths quartal harmony rather than in thirds tertiary harmony. Can’t change a rubric once you’ve started using it.

In retrospect, you can see that the second chord can also be analyzed as a three-note quartal passing chord A-D-G where the B is a pedal tone exists in the same voice in all three chords and the other three voices move by step from the first chord to the third chord.

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6 Chansons (Hindemith, Paul) – IMSLP/Petrucci Music Library: Free Public Domain Sheet Music

Naxos Javascript not enabled. I’ll write free-form comments when assessing students.

Chansons ; Songs ; For mixed chorus ; Scores featuring mixed chorus ; For unaccompanied hihdemith ; French language. For example, the first chord is analyzable as the quartal triad B-E-A with a doubled B on top ; the second chord the first chord of measure 1 is analyzable as B- E -A-D-G, a four-note chord that’s essentially quartal with an unstated E ; the third chord is analyzable as a four-note quartal chord G -C -F -B, and so on.

Duration 8 minutes whole work Composer Time Period Comp.

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For each chord, analyze its structure as a stack of fourths or fifthstaking into account the possibility that a note might be “missing” from the chord, a note which would ycgne its analysis as a stack of fourths or fifths.

Reissued – New York: As you listen to and study the whole piece, you might also want to think about how the composer controls the rhythm of the text setting and the use of recurring harmonic and rhythmic ideas to emphasize the formal structure of the poem.

En Hiver In Winter: Don’t post Outcomes results to Learning Mastery Gradebook. Hence, the edition is public domain in its country of origin or a government publication.