This piece is simply unbelieveable. IMO, maybe Liszt’s greatest solo piano work ( along with the Sonata) and perhaps the most overwhelming. Weinen, Klagen, Sorgen, Zagen (Weeping, lamenting, worrying, fearing), BWV 12, is a church to form the Crucifixus movement of the Credo in his Mass in B minor. Franz Liszt based extended keyboard compositions on the same material. For some reason the New Liszt Edition is issuing the two ‘Weinen, Klagen’ pieces amongst the volumes of transcriptions and fantasies on other composers’.

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It follows details of the Gospel and the idea from the epistle reading: Variazioni sopra il Basso Continuo del I mov. Share this sheet music Free-scores. Franck contends that this is true not only for the disciples who were addressed directly, but for every Christian. Please log in or create a free account so you can: As concertmaster, he assumed principal responsibility for composing new works, specifically cantatas for the Schlosskirche palace churchon a monthly schedule.

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The text is also repeated in the middle section, as Bach was still experimenting with the da capo form. The ninth repeat is similar to the first, but in more extreme harmonies.

lixzt The music illustrates the union of the four contrasting elements all beginning with K: Retrieved from ” https: Public Not listed Private. Other recordings available for download. We recommend that you assign name-surname.

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Weinen, Klagen, Sorgen, Zagen, S.179 (Liszt, Franz)

Movement 4 sees the suffering of Jesus as a consolation for the liszf Christian, movement 5 voices a decision to follow Jesus even in suffering, movement 6 offers the consolation that it will be only a short time until all sadness is overcome, alluding to as in movement 4 Revelation 2: Ich folge Christo nach.

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Chorale cantatas between Trinity and Easter: Franz Liszt based extended keyboard compositions on the same material. Throughout the middle section, the instruments play colla parte with the voices. The work is structured in seven movementsan instrumental Sinfoniaa choral passacagliaa recitative on a Bible quotation, three arias and, as the closing chorale, the last stanza from Samuel Rodigast ‘s hymn ” Was Gott tut, das ist wohlgetan ” This page was last edited on 13 Novemberat Jlagen repeats the beginning text four times, while the singular destination appears only once.

His predecessor, Johan Kuhnau, had already noted that “visitors and distinguished gentlemen certainly want to hear something fine in the principal churches.

BWVfor Pentecost. Sei getreu, alle Pein.

Weinen, Klagen, Sorgen, Zagen, BWV 12 – Wikipedia

Be the first to write down a comment. Complete sheet music 19 pages – The first of three arias, ” Kreuz und Krone sind verbunden ” Cross and crown are bound together[1] reflects the conflicting motifs of “Kreuz und Krone” cross and crown and “Kampf und Kleinod” conflict and jewel. Audio and video players are included. The Prelude of is a dignified and restrained piece with just one dramatic outburst, all within the framework of a passacaglia which unfolds 25 variations on the motif.

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Bach cantata List of Bach soegen Discography: It is thus heard six times in different context, related to the repetitions of the passacaglia of movement 2.

Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. Kampf is sung as a melisma with a trill in measure 15, the preciousness of the jewel appears as a trill in the voice or the accompaniment. Hyperion offers both CDs, and downloads in a number of formats.

The table entries are excerpted from the list of recordings from the selection on the Bach-Cantatas website. Retrieved 26 September Cookies allow us to personalize content and ads, to provide social media-related features and analyze our traffic. Retrieved 16 April The first choral movement, ” Weinen, Klagen, Sorgen, Zagen ” Weeping, lamentation, worry, despair[1] is in da capo form. He composed Slrgen, Klagen, Sorgen, Zagen as the second cantata in the series, on a text probably written by court poet Salomon Franck.