27 items Shop lowell liebermann flute concerto%C op. 39 sheet music, music books , music scores & more at Sheet Music Plus, the World’s Largest. The ghost of Sergei Prokofiev looms large over Lowell Liebermann’s Flute Concerto; indeed, the ticking ostinato that opens the work sounds more than ever like. Katherine Bryan, Lowell Liebermann, Francis Poulenc, Carl Nielsen, Georges Hue, Paul Daniel, Royal Scottish National Orchestra – Liebermann Flute Concerto.
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Concerto for flute & orchestra, Op. 39
His music has color, warmth, beauty and strength, and it manages to sound lovely without being lieberman.
Sir James premiered the Flute Concerto in with the St. McClatchy after the novel by Nathanael West, was commissioned by the Juilliard School to celebrate its th anniversary. Although this is the usual number of movements for a concerto, the form of the concerto is otherwise unconventional in that none of the movements is in the sonata form.
Music for Carillon For Carillon. Conerto Upright Piano, Off-stage Violin. Galway quickly arranged a commission for the new work.
Liebermann Symphony 2 & Flute Concerto
The orchestration is rich, colorful and exotic, the violin passages, both haunting virtuosic, were gorgeously performed by [violin soloist Chantal] Juillet. Cathy Basrak, viola and William Koehler, piano Concwrto s: Concerto for Violin and Orchestra. Soliloquy Flute s For Solo Flute. It unfolds like a flower, petal by petal, into full-blown complexity and exquisite beauty… Its seven minutes of remarkably affecting music is certain to find its place in other recitals quickly. Flute, Orchestra For Flute and Orchestra.
Concerto for flute & orchestra,… | Details | AllMusic
Sonata For Viola and Piano. There is rich sentiment and genuine feeling to his music.
Petronel Malan, piano Work s: Longfellow Three Dream Songs. Air For Flute and Organ.
Liebermann, Lowell | Theodore Presser Company
Liebermann responded that he would rather write Galway a completely new concerto than orchestrate the sonata. Nocturne-Fantasy For Two Guitars. Paul’s Chapel, New York City. Nevertheless, Liebermann’s compositional personality is quite distinct from Prokofiev ‘s; one notices a similarity in means, but not so much in style. The piano dominated in the middle movement, weaving a sinuous cantabile line over complex chords, made less acerbic by their soft dynamic and diffuse conccerto.
Amplified Narrator; 3 Picc. Quintet for Piano and Strings, Op.